Showing posts with label music and healing. Show all posts
Showing posts with label music and healing. Show all posts

Sunday, October 27, 2019

Music And Mental Health

As I prepared my set list to perform at a benefit concert for Tunefoolery this past Saturday, I found myself reflecting on the connection between music and mental health. My own two deepest life passions have been healing and music. And my experience is that both are sourced from the same creative well inside. Music and healing both are sourced from the heart, and both nourish and express our deeper, often non-verbal or voiceless parts in life affirming ways.

Being involved in organizations that integrate music and healing, whether it be performing at a benefit, singing with the Boston Minstrels at prisons, homeless shelters or VA hospitals, or singing as a singer-songwriter in mental health settings, assisted living facilities has always left me feeling emotionally and spiritually richer.

I found myself journaling about why music fosters mental health:

Music helps us find each of us find our voice. Voice is the expression of the soul. Voice is a sense of who we are and what we bring to the world. Voice helps us define our sense of self and show up in the world.

Music helps us express what is deeper than words. Much of our core humanity is experienced deeper than words. It is experienced in what we feel emotionally and somatically. It is experienced in felt sense, impulse, a momentary touch or glance. Music is a way to translate the non-verbal, with words and with melody, chords and sound.

Music touches the heart. Our world is not very emotionally safe. We need to defend and protect our hearts to keep safe. Behind our walls of protection, we may be safe at one level, but numb or alone. Music safely finds a way to reach through protective walls or defenses to reach the heart.

Music opens the heart. As the heart is touched by music, it often opens. Tears flow. Joy radiates. Anger may be safely felt. Vulnerability can also be safely felt. In these ways, music gives us the gift of emotional aliveness.

Music helps us feel connected and no alone. The stories expressed in songs are often our stories. Stories of love. Stories of loss. Lessons learned. Relationships with mothers and fathers and daughters and sons and friends and lovers. We recognize our own relationships, experiences and journeys and feel our interconnection.

Music bridges all divides. Music is not just words and notes. It is a vibration. It is energy. Is it emotion. And the notes, words, vibration, and energy reach through walls, across divides, and even beyond differences of culture and language.

Music is love energy in sound. The vibration and energy of music is love. Like Stevie Wonder writing music "in the key of life." Music from the heart reaches the heart. The heart recognizes the energy of love.

Music helps us feel and release what is locked up inside. What is locked up inside us is often at the root of what gets labelled as "mental illness." Anxiety. Depression. Trauma. Fear, pain, sadness, anger, aloneness all get locked inside us. It our spirit is weighted down. We numb. We freeze. We dissociate. If our feelings are locked up, we don't know how to find the key to release them...until music gives us that key.

Music touches the core of our humanity. I can not tell you how deeply I have been touched as I hear the talent and the heart of people who share their voice in song in prisons, in homeless shelters, in hospitals. People who feel lost and invisible command center stage. I have found my tears flowing freely, and shared tears with others also deeply touched.

Tuesday, April 25, 2017

The Many Expressions of the Heart

In 1983, I founded a group called the Boston Arts Roundtable. I was a singer/songwriter seeking community. And I realized that to have an artist's soul, meant that there was a core sensibility that was deeper than any one genre of expression. While people can get pigeon-holed as singers or pianists or watercolor artists or photographers or writers, I found that many artists were actually multi-genred. And that expressive arts and the healing arts are interconnected as well.

I am very much a multi-genred artist. When I was in my 20's, I participated in a right brain/left brain workshop led by Ned Hermann. About 100 of us were in the training. And at the end of the training, all 100 people were lined up across a very large room, with the most left brained people to the left, and the most right brained people to the right. A visual artist and I were the top 2, most right brained people. That was an eye opener.

When I left my job as an organizational consultant at Digital Equipment Corporation in 1985, I had a business card made up that said, "artist of life: all forms, all media." And, in many ways, that was my most authentic label. Yes, I was a singer/songwriter. Yes, I played the piano and guitar. Yes, I could arrange other people's songs, and write harmonies on the spot. But I also was a photographer, a poet, a book writer, a gourmet culinary artist of healthy foods, an occasional painter or drawer, a dancer, an interior designer, and very centrally, a healing artist.

My healing work, Emotional-Kinesthetic Psychotherapy, many consider my greatest life contribution. It led me to write two books, to teach in Europe before people understood my work in the United States, to travel across the country leading workshops and giving talks, to appear on National Public Radio and on National TV, to co-found the first professional association in the country in the field of body psychotherapy in 1988 and to help found my national professional association in 1996. But even more importantly, to set up a school with an apprenticeship-based training model, where over 11 years, scores of people learned how to practice the heart-centered, psychospiritual method of body psychotherapy that I had developed.

I am very grateful that EKP has helped thousands of people over 32 years, and that some of the people I trained have extended the reach of this work to countless others.

But many people cannot understand how I can be both a singer/songwriter and a mind-body psychotherapist. I try to explain that these are just different expressions of the heart. A true artist sources much of their creative expression from the heart. There is a surrender to a higher power, to the universal wisdom, to a sense of God if one believes in God. And profound creativity and healing come from a deep place inside that is egoless, yet very grounded in an authentic sense of self.

I have found that the kind of self-care I do to be a master therapist (which includes going to the gym every day, eating healthy foods, meditating daily, doing personal growth work and therapy/supervision as a lifelong pursuit, nurturing my soul with beauty, connection, and joy) are the very same things I need to do to keep my creative channel open as a writer of songs or prose.

As a shy introverted who NEVER wanted to be the center of attention, and certainly not at the center of a stage, it has taken years of work in therapy and performance coaching to become a skilled ambivert, and overcome my inherent shyness to be able to touch others heart to heart in the way only performing music can. Public speaking was easier for me to do than singing. And stepping out from the safety of the piano to the nakedness of center stage at a microphone required facing all kinds of shadows, internal and external.

Whatever work we can do to deeper our souls, to heal our hearts, to find our voices, only enhances our creative capacity. I have found my heart called to different forms of expression at different times in my life. But the two most fundamental creative expressions, the ones that always feel like "home" for my heart, are EKP (body psychotherapy) and music, especially as a singer/songwriter and song interpreter.

What a magical, creative world we could evolve if we gave ourselves permission to build lifework from the heart level up...So that the compartmentalized boxes we put people in need not trap us. Just as a healthy person can feel BOTH sadness and joy at the same time, healthy expression can be multi-media, and even simultaneously in unrelated media. The heart invites us to truly be an artist of life.

Monday, June 2, 2014

The Power of Voice

“Everybody’s got a song to sing Everybody’s got something that they want to say And ageless voices stay silent while People dream of words they want to speak For the first time in their lives.”

--from “Everybody’s Got a Song to Sing” by Linda Marks and Lisa Wexler ©1981

In 27 years as a body psychotherapist, I have come to witness how powerfully the human spirit seeks expression and how finding one’s voice is a critical pathway in connecting with and understanding who we truly are.

Sadly, we live in a culture that does not encourage us to find our voice, and through the power of our voice, make a unique contribution to the world. Instead, beginning as children, we are drilled with messages that stifle voice, and often disconnect us from us deeper selves: “children should be seen and not heard,” “be quiet,” “you don’t really mean that, “ or most crudely, “shut up!” These messages hurt our hearts and spirits. But more powerfully, they stifle and silence our souls.

Having A Voice

The roots of voice originate in the spirit and soul. Having a voice allows us both to express or share our internal experience and to say things others need to hear us say. One challenge in our culture is that not all voices and not all messages are welcome. While, in theory, our culture embraces freedom of speech, in reality, between gender stereotypes, cultural biases and fear of emotion and vulnerability, many parts of us are silenced rather than welcomed.

It hurts our hearts when parts of our voice are silenced or disallowed, by us internally or by others around us. If we suppress our voices, we do so at great psychic cost. Voice movement therapist Deborah Crane is a voice movement therapist in Littleton, MA. She has the fascinating job of helping people discover their voices, and in many cases, connect with previously unwelcome or scary parts.

Deborah notes, “We silence some of our internal voices because our family, our neighborhood or the culture at large encourages us not to use those voices. Girls are not allowed anger. Boys are not allowed sadness. We end up not allowing parts of ourselves that are not accepted. So, we tend to focus on the parts of ourselves that are accepted.” To have a voice is to be vulnerable. When someone takes the risk of speaking their true thoughts, feelings or experience, we often say that they are “sticking their neck out.”

Rebecca Parris is a world renowned jazz singer and vocal coach for singers from Duxbury, MA. “We have been taught that we have to be strong and guarded and safe,” reflects Rebecca. “We’ve been taught to live from fear rather than openness. People don’t realize the weakness of fear, and they don’t realize their vulnerability is a power, not a weakness.”

Vulnerability allows us to express our deepest truth and our most human experience through opinions, thoughts, dreams and points of view. When we live in fear of sticking our necks out, we remain isolated, bound up, tense and unfulfilled.

The throat is mid-way between head and heart, and often serves as a bridge between the two. When we feel something that we think is risky, our throats may become tense and tight. When we feel strong feelings but are afraid to let them out, we may feel a lump in our throats. By gently placing a hand on the tension or on the lump in the throat, you receive the message that what you are thinking and feeling is welcome and okay. The tension melts. Tears may even flow. And the deeper feelings find their way out of the body, mind and heart and into the larger world.

Head Voice Vs Heart Voice

When I first started having my voice recorded, I noticed that I had two distinct voices: my head voice and my heart voice. When I spoke from my head, my voice had a tinny intellectual tone to it. I spoke more rapidly. When I spoke from my heart voice, however, there was a much more spacious, open and heartfelt quality. I would feel my body relaxing and melting. I learned there was a huge energetic difference between a voice that came from the head or the heart.

When we speak from the heart, we touch the hearts of others. Because the heart and the brain both generate electromagnetic energy, we can viscerally feel where energy is coming from, even if we are not consciously aware we are doing so.

Likewise, it matters how we listen to others. The way it feels to speak to someone listening from their heart is far more safe and inviting than someone listening from the head. Our heads judge, analyze and put meaning on words. That is fine in some contexts. However, for building intimacy and connection, to listen from the heart as someone speaks from their heart is much more effective, safe and fulfilling. Being aware that we have head and heart voices, and learning to use them consciously helps us more powerfully speak and be heard.

Why Voice Matters

“When we find our voice, what we gain is knowing who we are and noting the response of others,” says Rebecca. “We gain a true sense of being in the moment.” Without voice, we lose the depths and authenticities of relationships.

There are also physical, emotional and energetic costs when our voices are silenced or not allowed. “Unexpressed feelings, thoughts and sounds live in us as emotional energy blocks,” observes Deborah. “The voice is a vehicle not only for allowing our strength, but also allowing the stuck energy within us to move up and out of us. The cost of being silenced is that we never feel we can open up and allow deep emotion within, even for our own benefit with no one around. We become our own censors.”

In the lyrics my singing and songwriting collaborator Lisa Wexler and I wrote in our song, “Everybody’s Got a Song to Sing,” we express how it feels when we don’t have a way to express “the voice within us” that “wants to shout.” “It hurts so much because you want to say your words out loud. And no one knows the pain that you are going through.” When we don’t have a voice, we hurt. We feel alone.

When I was in grammar school, I remember an experiment where we took a prism and learned how to angle it so that it could direct the sunlight to burn a hole in a piece of paper. It seemed like magic that we could harness the energy of the sun that way. Living creatures are energy conduits, and our bodies generate electromagnetic energy that we can learn to consciously channel, like a prism channeling sunlight.

Our voices vibrate and those vibrations interact with the vibrations of other living things around us. The resonance of our voice touches other people and can literally change the energy in the room. If we want to plant the seeds of action, speaking our intentions is a powerful place to start. When we speak a vision, we open up possibility for all who hear it. “Once you find your voice, the possibilities are endless,” Rebecca notes. “In music, we have a microphone that reaches a lot of people over the course of a night. Our impact can be major. But you may impact one person who goes out and impacts a thousand. One would be surprised how many people their voice has touched in a lifetime.”

Six Tips for Finding Your Voice

1. Realize the voice is a “thing” — something to find and have. Kids need to hear the message that the voice is a critical human capacity. Learning to find it and use it is at least as important as learning to read or do math. In fact, writing is much easier when we find our voices.

2. Embrace all your emotions. It is just as important to learn to feel and accept your pain and anger as your joy and happiness. Being able to express what you feel in a way that is authentic and respectful of self and others feels empowering.

3. Be non-judgmental. Being curious and non-judgmental invites introspection, feeling, sensation and deeper thoughts. This allows us to find the seeds of what we know, feel and wish to convey.

4. Be patient. It takes time to find our voices and patience to be present with what is there, even if initially it feels empty or like nothing.

5. Focus on what you feel, not what you think. The quality of the voice changes whether it’s from the head or from the heart. Energy from the heart reaches the heart of the listener or the audience.

6. Listen to yourself, not the voices of other. Other people and the media tell us what to think, what to wear, what to do, and who we should be. None of these things may be right for you. Take the time to find out what is true for you by listening to your own voice.